Neurodesign identifies design aspects of physical or virtual objects and environments that our brains naturally find more appealing. It can be considered part of neuroaesthetics, the discipline that studies the neural mechanisms of our aesthetic evaluations.
Brain areas responsible for the perception of pleasure and beauty.
Translated into a design language, this means that a successful package has the power to activate particular brain areas responsible for decision making.
What happens to our brains when we choose between an organic and a conventional product? Using functional magnetic resonance imaging technology (fMRI), researchers were able to measure brain activity by detecting changes associated with blood flow when individuals were asked to choose between a conventional and an organic packaging. The resulting brain activation is graphically represented by color-coding the strength of activation across the brain.
What happens to our brains when we are presented with an aesthetically pleasing packaging design? In this neuromarketing study, an aesthetically pleasing packaging and a standardized popular packaging are compared. The fMRI revealed that the aesthetic packaging:
This implies:
The more aesthetic the packaging design, the more emotional processes will be engaged, resulting in increased reaction times. Consequently, consumers are more emotionally involved. In the case of beautiful packaging, there are major visual elaborations.
Results say that dierentiation by aesthetic packaging design triggers reward and choice, despite someone’s lack of brand awareness and brand reputation. It also explains why sales of not very popular brands in bland packaging improve significantly when their packaging is enhanced by showing images of food with appetite appeal.
Sources: The role of ethics and product personality in the intention to purchase organic food products: a structural equation modeling approach (G. Guido, M.I. Prete, A.M. Peluso, R.C. Maloumby-Baka, C. Bua) International Review of Economics, 2010, 57, 79–102. How personality makes a dierence (J.T. Plummer) Journal of Advertising Research, 2000, 40(6), 79–83.
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Growing up in the San Francisco Bay Area in the 60’s, Tom developed a strong desire to create positive change for people and planet.
He went on to pursue his passion for art and design at Art Center College of Design in Pasadena, California, and worked for design firms in Southern California before moving to Boise, Idaho in the early 80’s. Foerstel Design opened its doors in 1985. Since its inception, the firm has cultivated a bold, happy, forward-looking team focussed on creating distinct and effective work on behalf of their clients.
An integral part of Tom’s philosophy is giving back to the community in which he lives — a company cornerstone that drives Foerstel’s long history of providing pro-bono services to local non-profit humanitarian and arts programs.
One of Tom’s proudest personal achievements is his ability to say Supercalifragilisticexpyalidocious backwards.