fpm brief

The FPM Brief, a new series of articles on consumer CPG research and behavior, highlights how research insights fuel creative intelligence in packaging design, branding, and marketing. By analyzing consumer interactions and purchasing drivers, we reveal strategies that enable brands to connect authentically with their audience, empowering them to stand out in today’s competitive market.

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Designing Tomorrow: Navigating the Frontiers of Intelligent Design in 2024

Nostalgic Packaging Design

Nostalgia, that bittersweet longing for the past, has become a powerful tool in marketing, particularly in packaging design. It serves as a visual time machine, transporting consumers to earlier eras and creating immediate connections with their personal histories. Whether it’s the vibrant and psychedelic aesthetics of the 1960s or the bold, neon-soaked styles of the 1980s, retro-inspired packaging resonates deeply with consumers. For older demographics, this connection is even more poignant, allowing them to relive cherished memories from their youth.

The Universal Appeal of Nostalgic Packaging

The emotional appeal of nostalgic packaging transcends specific age groups, tapping into a universal desire for connection and familiarity. The resurgence of vintage logos and typography is a prime example, with brands adopting or reviving classic emblems that evoke trust and reliability. This strategic use of nostalgia bridges the past and present, positioning products as timeless and enduring.

Implementing Nostalgic Packaging Design

To effectively harness nostalgia in packaging design, companies must understand the emotional and aesthetic elements that resonate with consumers. Insights from aesthetic research suggest that circular shapes are linked to qualities like friendliness, warmth, softness, and a sense of belonging. In contrast, angular shapes are associated with toughness, competence, hardness, and uniqueness. Recent research indicates that nostalgia enhances consumer preference for products with circular shapes, offering several strategic implications:

  1. Product Design Strategy: Incorporating circular shapes in product, packaging, and branding design can evoke a sense of nostalgia. This approach is particularly effective for products targeting consumers who value a connection to the past.
  2. Brand Positioning: Brands aiming to emphasize warmth, friendliness, and a sense of belonging can use circular shapes in their logos and visual elements. This aligns with the nostalgic appeal and fosters positive consumer perceptions.
  3. Targeted Product Lines: Developing specific product lines or limited editions featuring circular designs can tap into the nostalgic market segment. This strategy is especially effective in industries where emotional connections drive consumer preferences.
  4. Retail Environment: For brick-and-mortar stores, incorporating circular shapes in displays, signage, and layout can enhance the consumer experience. This immersive approach aligns with the emotional impact of nostalgia, making shopping more memorable.
  5. Cross-Generational Appeal: Nostalgia spans generations, allowing businesses to create products with circular designs that appeal to a broad consumer base. This cross-generational appeal increases the product’s market reach and relevance.

Conclusion

Nostalgic packaging design leverages the powerful emotional connections consumers have with the past, creating a bridge between eras and enhancing brand loyalty. By strategically incorporating circular shapes and vintage elements, companies can evoke feelings of warmth, trust, and reliability. This not only strengthens the brand’s position in the market but also broadens its appeal across generations. As we continue exploring the frontiers of intelligent design, nostalgic packaging stands out as a compelling strategy for engaging consumers on a deeply emotional level.

Stay tuned for more insights from Foerstel+Piper+Martin as we delve deeper into the future of intelligent design.


Credits: Exaqua for FPM

Other research you might be interested in

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In the ever-evolving world of design, the dichotomy between minimalist and maximalist packaging design offers a fascinating contrast, much like two sides of a finely crafted coin. These distinct aesthetic approaches, though seemingly opposed, each have their own merits and ideal applications, showcasing their true potential in different contexts.
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In the realm of packaging aesthetics, a fascinating phenomenon known as white space plays a crucial role in how design elements interact with their surroundings. White space refers to the amount of empty space around a message or design element. Some packaging designs, like Apple's iconic approach, embrace generous white space to evoke simplicity and elegance. In contrast, other designs, such as Kraft's Macaroni and Cheese packaging, venture into reduced white space, creating a vibrant and visually intense tapestry where images and text closely intertwine.
The association between visual shapes and taste perceptions has long captivated sensory psychologists and packaging designers. One particularly intriguing observation is that individuals often associate curved and symmetrical shapes with sweetness, while angular and asymmetrical shapes are more commonly linked to other basic tastes such as sourness, bitterness, saltiness, and umami. This phenomenon, known as crossmodal correspondence, highlights the intricate interplay between visual and gustatory stimuli.
Graphic designers seamlessly blend images, typography, and interactive media to craft compelling messages and user experiences. But where do their ideas originate, and how do they transform them into designs? While intuition is often cited as a crucial element, the specifics of how graphic designers harness it remain somewhat mysterious.
Marketing research highlights the intricate relationship between nostalgia, consumer preferences for product shapes, and the underlying mechanism of social connectedness. Understanding how nostalgia influences these preferences is crucial for designers aiming to create appealing and effective products.

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Tom Foerstel : Founder & President

Tom Foerstel

Founder & President

Growing up in the San Francisco Bay Area in the 60’s, Tom developed a strong desire to create positive change for people and planet.

He went on to pursue his passion for art and design at Art Center College of Design in Pasadena, California, and worked for design firms in Southern California before moving to Boise, Idaho in the early 80’s. Foerstel Design opened its doors in 1985. Since its inception, the firm has cultivated a bold, happy, forward-looking team focussed on creating distinct and effective work on behalf of their clients.

An integral part of Tom’s philosophy is giving back to the community in which he lives — a company cornerstone that drives Foerstel’s long history of providing pro-bono services to local non-profit humanitarian and arts programs.

One of Tom’s proudest personal achievements is his ability to say Supercalifragilisticexpyalidocious backwards.